‘By approaching historical artworks that relate to contemporary topics,students may learn more about themselves, their world, and history. students may learn more about themselves, their world and history. `
What I found particularly interesting is how the author engages students into a reflective practice about the role of the photographer and have them think about the idea of authenticity, a topic frequently discussed in class. I personally believe that documentary photography has to display the truth, it is one of its characteristics. But again, by selecting images with the most powerful compositions aren’t we slightly modifying the meaning of the image by amplifying emotions displayed?
In the article,Wenger highlights
how the three photographers, despite photographing and documenting the same
subject, each approached it in unique manner. In summary, Dorothea Lange was
hired by the War Relocation Authority to document the entire evacuation process
of the Japanese American internees. Lange documented the difficulties in the
camp (death, illness, obstacles, etc.) and the narratives of its habitants. On
the other hand, photographer Ansel Adams documented the positive response of
the Japanese Americans in Manzanar. Photographer Toyo Miyatake was incarcerated
at Mazanar and successfully hid a lense in his bag to record every aspect of
the subject and the narratives of others prisoners to make sure “this would
never happen again”
I believed as discussed in the
article, students would love to reflect
about the content of the images and write down what they thought the photographers
might be trying to say about the event documented. It is a great way to engage
everyone and to share ideas.
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